Music of Alan Hovhaness
Music of Ken Ueno
Philippe Brunet plays Fanfares for the Apolcalypse by Ken Ueno
A Long Wait is an event series and platform for artistic inquiry that uses Fort Gorges – located at the entrance to Casco Bay outside of Portland, Maine – as context, material, and site for performance, sound, video, and social practice artworks. More information can be found at alongwait.com Artistic Director: Erin Colleen Johnson Support for A Long Wait has been generously provided by SPACE Gallery through The Kindling Fund. A Long Wait wouldn’t be possible without the work of Friends of Fort Gorges, whose mission is to “restore Fort Gorges to make it safe and keep it accessible to future generations. We believe in its historical significance, as well as its educational and cultural potential.” Material for this film was provided and edited by Erin Colleen Johnson, David Anderson, Wilder Nicholson, Nora Hefner, and Zebulon Films
Music of Karlheinz Stockhausen
Philippe Brunet plays Harmonien by Karlheinz Stockhausen
music of dana kaufman
Philippe Brunet plays Carried Skittles, Wore a Hoodie by Dana Kaufman
Music of Philippe Brunet
Fanfares for the Apocalypse World Premiere: September 26, 2015 Maurice Gusman Hall Miami, FL www.kenueno.com Philippe Brunet, Soloist Alexander Magalong, Conductor Program note by Ken Ueno: Concerto for trumpet and chamber ensemble, or solo trumpet For Philippe Brunet Commissioned by the Henry Mancini Institute at the University of Miami's Frost School of Music During the summer of 2013, I met Philippe Brunet at the Atlantic Music Festival, where I was composition faculty and he was an instrumental fellow.
Fanfares for the Apocalypse World Premiere: September 26, 2015 Maurice Gusman Hall Miami, FL www.kenueno.com Philippe Brunet, Soloist Alexander Magalong, Conductor Program note by Ken Ueno: Concerto for trumpet and chamber ensemble, or solo trumpet For Philippe Brunet Commissioned by the Henry Mancini Institute at the University of Miami's Frost School of Music During the summer of 2013, I met Philippe Brunet at the Atlantic Music Festival, where I was composition faculty and he was an instrumental fellow.